Framed for a corporate crime, an adult Ted Templeton turns back into the Boss Baby to live undercover with his brother, Tim, posing as one of his kids.

A boy in search of Thailand's greatest scientist is astounded once he learns the answer.

Kentridge's short animated films are typically made from a series of large-scale charcoal and pastel drawings which the artist repeatedly alters and interchanges as his narrative progresses. Ubu Tells the Truth marks an important change in technique, as Kentridge has combined images from documentary films and photographs together with moving puppets as well as his animated drawings. This film was made from a basis of thirty drawings. Sleeper (Tate P78231) is a related etching he made in the same year. Much of the footage was originally created to accompany action on stage in the multi-media theatre work Ubu and the Truth Commission (1997), in which Kentridge collaborated with the Handspring Puppet Company in Johannesburg. It was subsequently edited to accentuate the drama implicit in the series of images. The result is a greater degree of abstraction than in his earlier films and a more heightened violence.

Kentridge's short animated films are typically made from a series of large-scale charcoal and pastel drawings which the artist repeatedly alters and interchanges as his narrative progresses. Ubu Tells the Truth marks an important change in technique, as Kentridge has combined images from documentary films and photographs together with moving puppets as well as his animated drawings. This film was made from a basis of thirty drawings. Sleeper (Tate P78231) is a related etching he made in the same year. Much of the footage was originally created to accompany action on stage in the multi-media theatre work Ubu and the Truth Commission (1997), in which Kentridge collaborated with the Handspring Puppet Company in Johannesburg. It was subsequently edited to accentuate the drama implicit in the series of images. The result is a greater degree of abstraction than in his earlier films and a more heightened violence.

我们常说的古代文明通常指四大文明，古代中国、古代印度、古代埃及以及古代美索不达米亚四大文明，当然在这部专题系列中除了一一的向我们介绍了这四个地区的古代人的杰出贡献以外，还提到了其他洲的古代文明，如美洲的阿芝台克和印加人，阿拉伯人，欧洲的古希腊人和古罗马人。

我们常说的古代文明通常指四大文明，古代中国、古代印度、古代埃及以及古代美索不达米亚四大文明，当然在这部专题系列中除了一一的向我们介绍了这四个地区的古代人的杰出贡献以外，还提到了其他洲的古代文明，如美洲的阿芝台克和印加人，阿拉伯人，欧洲的古希腊人和古罗马人。

The story of Australia's nation-shaping and shifting relationship with the Royal Family during the reign of Queen Elizabeth II.

Sun, an autistic man obsessed with finding a means of ending his life but who never succeeds in carrying it out, has to put his plans of suicide on hold once again when Uncle Mok, the owner of a coffee shop and little library called Tiny Butterfly, dies suddenly in the street right before his eyes. He isn't alone, though. Yaimai, a financial planner who likes one-night stands, and Tor, a sixteen-year-old runaway, also happened to bear witness. Together, the three strangers give their account to the police and arrange the kinless man's funeral.

Independent Filmmaker Caveh Zahedi is trying to make a television show. He persuades BRIC TV, a Brooklyn non-profit Arts organization, to finance a television show whose premise is that every episode will be about the making of the previous episode. In the process of creating the show, everything can-and does-go wrong. The cast, a who's who of Brooklyn's independent filmmaking community, includes Alex Karpovsky, Eleonore Hendricks, Dustin Defa, and Onur Tukel.